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Saturday, April 4, 2015

Information About ShivaLinga


Information About ShivaLinga


Lingam Consits of two Words Lim and Gam.  Lim means all objects comes to an end and remains stagnant at one place. Gam means the place of recreation. Limgam is a symbol this auspicious swarupam belongs to Lord Shiva.

Sivalingam: Sivalingam literally means the body of Siva. Next to the symbol of AUM, it is perhaps the most potent, powerful and popular symbol in entire Hinduism. In almost all the Siva temples, worship is generally made to Sivalingas only. Very rarely we come across his images in the sanctum sanctorum of any Siva temple. A Sivalingam is usually a round or cylindrical and protruding object. The cylindrical part is held firmly by a circular base. 
On the physical plane, the object resembles the male sexual organ, suggestive of the creative power of Siva. The circular base resembles that of the female, suggestive of his consort Parvathi. Physically a Sivalingam is a phallic symbol, representing the male and female sexual organs in a state of conjugal bliss. Mentally it symbolizes the union of mind and body. Spiritually it represents the union between Purusha and Prakriti, the highest principles of the manifest universe.
The Sivalingam is also symbolic of the Supreme Self. It is verily Maheswara Himself, the Highest Self and the Lord of the universe. In this aspect it has three parts. The lower part represents Brahma. The middle part, which is octagonal in shape, represents Vishnu. The upper part, which is cylindrical in shape, represents Rudra and is also called Pujabhaga since it receives the actual offerings of milk and other substances.

Shiva lingam is Trimurthy Swaroopam, Top Cylidrical portion is Lord Shiva,  middle portion is Vishnu and the base is Bramha.Worshiping Shiva Lingam means worshioing all the three gods together.There are two varities of lingams, Parartha Lingam and Istha lingma.

Parartha Lingam

The following types of lingams are called as parartha Lingam

         -  Syambhu Lingam   This type of Lingam comes out From earth.
         -  Gana Lingam         This type of lingam is installed and 
             worshiped by Goddess Parvathi, Lord Ganapathi, and Lord
             Subrahmanyam.
         -  Dhaiveka Lingam   This type of lingam is installed and
            worshiped by lord bramha and Vishnu.
         -  Aarida Lingam       This type of lingam is installed and
            worshiped by Rishis.
         -  Manushya Lingam  This type of lingam is installed and
            worshiped by human beings


Istha Lingam This lingam is installed by dedicated shiva devotees, who performs shiva puja with out having any food or water under the instructions of their Guru.


Urdva Retas,  Hiranya Retas, Nidhana pataye namah these are all the names of Lord Shiva in Shiva Sahsram and Shiva Asthotram. We call him with this names because, he appeared as Lingodhbhavar murti in the form of a pillar of Fire, all the above names refer to flame and shiva lingam.

God is formless which is called formless. He is every thing so how can we give a form to such an infinte person. But for the benefit of Pashus he took the form of shiva lingam. Shiva Lingam is not a form but it is symbol which is called as Arupa Rupam.

All the deities wear Istha Lingam of their choice on their bodies. The lingams weared by each deities are as follows.

 Vishnu
 Indra Neelayamaya Lingam -
 Sapphire [Kousthubhamani] -
 Bhrama
 Chandrakanta Lingam [Sailamaya Lingam]
 Indra
 Manimaya Lingam
 Sun
 Tamramaya Lingam [Copper]
 Chandra
 Mukthi Lingam [Pearl]
 Lakshmi
 Srivriksha Lingam (Bilwa Vriksham)
 Kubera
 Hema Lingam (Gold)
 Four Vishwadevtas
 Arakota Lingam (Bronze)
 Ashta Vasus
 Kansya Lingam (Brass)
 Ashwini Devtas
 Partheeva Lingam (Mud)
 Varun
 Sphatika Lingam [Quartz]
 Agni
 Annamaya Lingam [ Rice ]
 Niruti
 Darujamaya Lingam [Teak Wood]
 Pannagas
 Pravaalamaya Lingam [Nagamani]
 Rakshasas
 Krishnaaya Samaya Lingam [Coal]
 Pisachas
 Seesha Lingam [Glass]
 Guhyakas
 Triloka Lingam
 {three metals including iron}
 Saptamatrukas
 Sarvalohamaya Lingam {all metals}
 Chamundi
 Saikata Lingam {Sand}
 Durga Devi
 Pishtamaya Lingam {made of flour}
 Manonmani
 Gandha Lingam {Sandalwood}
 Saraswati
 Doorva Lingam {medicated grass Lingam}
 Srutis
 Dadhimaya Lingam {Curd/Yoghurt}
 Mantras
 Aajya Lingam {pure Cow Ghee}
 Maharshis
 Kuusaagramaya Lingam {Darbhai}
 Yama
 Marakata Lingam {Emerald}
 Gopakis
 Navaneeta Lingam {Butter}
 Angarakan (Mars)
 Pagadapu Lingam {Coral}
 Budhan (Mercury)
 Pancharatna Lingam {Green Diamond}
 Brahaspati {Guru}
 Pushparaga Lingam
 Sukran {Diamond}
 Vajrapu Lingam
 Saturn {Blue}
 Neelamani Lingam
 Rahu {Topaz}
 Gomedhaka Lingam
 Ketu {Lapis-Lazuli}
 Vaidhurya Lingam
Kempu(Maanikyam) - Ruby
Pacha(Marakatham) - Emerald
Pushyaragam - Yellow Sapphire
Gomedhikam - Jaicinth(Hessonite)
Neelam(Indraneelam) - Blue Sapphire
Vajram - Diamond
Vaiduryam - Cat's eye
Muthyam - Pearl
Pagadam - Red Coral

Vedas in telugu


Ancient Kedarnath Temple before it became a tourist attraction

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The following collection of photographs were taken between 1882 and 1883 and are in the archives of the Geological Survey of India. They provide a view of the ancient Kedarnath temple before it became a tourist attraction, when it was a lone, remote temple, only visited by a few sadhus.

Kedarnath Temple in 1882:



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Kedarnath Temple in 1882:



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Kedarnath Temple in 1882:



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Road to Kedarnath in 1882:



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Gangotri Temple in 1883:



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Gangotri Temple in 1883:



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Road to Badrinath (via Joshimath) in 1882:



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Source : Internet

Harappa Civilization

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Radiation still so intense, the area is highly dangerous. A heavy layer of radioactive ash in Rajasthan, India, covers a three-square mile area, ten miles west of Jodhpur. Scientists are investigating the site, where a housing development was being built.

For some time it has been established that there is a very high rate of birth defects and cancer in the area under construction. The levels of radiation there have registered so high on investigators’ gauges that the Indian government has now cordoned off the region. Scientists have unearthed an ancient city where evidence shows an atomic blast dating back thousands of years, from 8,000 to 12,000 years, destroyed most of the buildings and probably a half-million people. One researcher estimates that the nuclear bomb used was about the size of the ones dropped on Japan in 1945.

The Mahabharata clearly describes a catastrophic blast that rocked the continent.

“A single projectile charged with all the power in the Universe… An incandescent column of smoke and flame as bright as 10,000 suns, rose in all its splendor… It was an unknown weapon, an iron thunderbolt, a gigantic messenger of death which reduced to ashes an entire race. The corpses were so burned as to be unrecognizable. Their hair and nails fell out, pottery broke without any apparent cause, and the birds turned white. After a few hours, all foodstuffs were infected. To escape from this fire, the soldiers threw themselves into the river.”

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Archaeological Site of Mohenjo Daro

A Historian Comments



Historian K. Ganguli says that Indian sacred writings are full of such descriptions, which sound like an atomic blast as experienced in Hiroshima and Nagasaki. He says references mention fighting sky chariots and final weapons. An ancient battle is described in the Drona Parva, a section of the Mahabharata.

“The passage tells of combat where explosions of final weapons decimate entire armies, causing crowds of warriors with steeds and elephants and weapons to be carried away as if they were dry leaves of trees,” says Ganguli.

“Instead of mushroom clouds, the writer describes a perpendicular explosion with its billowing smoke clouds as consecutive openings of giant parasols. There are comments about the contamination of food and people’s hair falling out.”

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Archaeological Site of Mohenjo Daro

Archeological Investigation provides information



Archeologist Francis Taylor says that etchings in some nearby temples he has managed to translate suggest that they prayed to be spared from the great light that was coming to lay ruin to the city.

“It’s so mid-boggling to imagine that some civilization had nuclear technology before we did. The radioactive ash adds credibility to the ancient Indian records that describe atomic warfare.”

Construction has halted while the five member team conducts the investigation. The foreman of the project is Lee Hundley, who pioneered the investigation after the high level of radiation was discovered.

There is evidence that the Rama empire (now India) was devastated by nuclear war. The Indus valley is now the Thar desert, and the site of the radioactive ash found west of Jodhpur is around there.

Consider these verses from the ancient Mahabharata:

…a single projectile
Charged with all the power of the Universe.
An incandescent column of smoke and flame
As bright as the thousand suns
Rose in all its splendour…
a perpendicular explosion
with its billowing smoke clouds…
…the cloud of smoke
rising after its first explosion
formed into expanding round circles
like the opening of giant parasols…
..it was an unknown weapon,
An iron thunderbolt,
A gigantic messenger of death,
Which reduced to ashes
The entire race of the Vrishnis and the Andhakas.
…The corpses were so burned
As to be unrecognisable.
The hair and nails fell out;
Pottery broke without apparent cause,
And the birds turned white.
After a few hours
All foodstuffs were infected…
…to escape from this fire
The soldiers threw themselves in streams
To wash themselves and their equipment.

Until the bombing of Hiroshima and Nagasaki, modern mankind could not imagine any weapon as horrible and devastating as those described in the ancient Indian texts. Yet they very accurately described the effects of an atomic explosion. Radioactive poisoning will make hair and nails fall out. Immersing oneself in water gives some respite, though it is not a cure.

When excavations of Harappa and Mohenjo-Daro reached the street level, they discovered skeletons scattered about the cities, many holding hands and sprawling in the streets as if some instant, horrible doom had taken place. People were just lying, unburied, in the streets of the city. And these skeletons are thousands of years old, even by traditional archaeological standards. What could cause such a thing? Why did the bodies not decay or get eaten by wild animals? Furthermore, there is no apparent cause of a physically violent death.

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Skeletons found at Mohenjo Daro scattered in the street.

These skeletons are among the most radioactive ever found, on par with those at Hiroshima and Nagasaki. At one site, Soviet scholars found a skeleton which had a radioactive level 50 times greater than normal. Other cities have been found in northern India that show indications of explosions of great magnitude. One such city, found between the Ganges and the mountains of Rajmahal, seems to have been subjected to intense heat. Huge masses of walls and foundations of the ancient city are fused together, literally vitrified! And since there is no indication of a volcanic eruption at Mohenjo-Daro or at the other cities, the intense heat to melt clay vessels can only be explained by an atomic blast or some other unknown weapon. The cities were wiped out entirely.

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While the skeletons have been carbon-dated to 2500 BC, we must keep in mind that carbon-dating involves measuring the amount of radiation left. When atomic explosions are involved, that makes then seem much younger.

Interestingly, Manhattan Project chief scientist Dr J. Robert Oppenheimer was known to be familiar with ancient Sanskrit literature. In an interview conducted after he watched the first atomic test, he quoted from the Bhagavad Gita:

“‘Now I am become Death, the Destroyer of Worlds.’ I suppose we all felt that way.”

When asked in an interview at Rochester University seven years after the Alamogordo nuclear test whether that was the first atomic bomb ever to be detonated, his reply was, "Ancient cities whose brick and stonewalls have literally been vitrified, that is, fused together, can be found in India, Ireland, Scotland, France, Turkey and other places. There is no logical explanation for the vitrification of stone forts and cities, except from an atomic blast."

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The Lonar Crater seen from satellite photos.

Giant Unexplained Crater Near Bombay



Another curious sign of an ancient nuclear war in India is a giant crater near Bombay. The nearly circular 2,154-metre-diameter Lonar crater, located 400 kilometres northeast of Bombay and aged at less than 50,000 years old, could be related to nuclear warfare of antiquity.

No trace of any meteoric material, etc., has been found at the site or in the vicinity, and this is the world’s only known “impact” crater in basalt. Indications of great shock (from a pressure exceeding 600,000 atmospheres) and intense, abrupt heat (indicated by basalt glass spherules) can be ascertained from the site. David Hatcher Childress in Nexus Magazine:

“The crater is formed in the basalt rock of thickness 600-700m (2,000 to 2,200 feet). This rock is made of many layers or flows which were laid why volcanic activity at various times, five of such flows are exposed at the crater rim. Thickness of these flows ranges from 5 to 30m."

"The crater is about 150m (500 feet)deep and has average diameter of 1830m (1.4 miles). The elevated rim consists of 25m of bedrock and 5m of ejecta over it. This ejecta blanket is spread over about 1350m (4,400 feet) away from the crater rim and slopes away by 2-6°. The uppermost region of ejecta contains the deposits that were melted due to the impact”.

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Aerial photograph of the Lonar Crater.

Lonar is a place of obscurities, especially as the only meteoric crater formed in basaltic terrain. It has remained relatively intact due to low degree of erosion by environmental agents, making it an excellent model for study. However, several strange things happen here:

1. The lake has two distinct regions that never mix — an outer neutral (pH7) and an inner alkaline (pH11) each with its own flora and fauna. You can actually do a litmus paper test here and check this for yourself.

2. There is a perennial stream feeding the lake with water but there seems to be no apparent outlet for the lake’s water. And it is also a big unsolved mystery where the water for the perennial stream comes from, in a relatively dry region like Buldhana. Even in the driest months of May and June, the stream is perpetually flowing. Lonar generates questions and more questions.

Haadi Vidya tradition (Lopamudra Vidya)

Dear devotees,

This information, which is given here for the srividya upasakas belonging to
Haadi vidya tradition, which is also called Lopamudra Vidya.

I am giving here the uddhara of Lopamudra Vidya and its guruparampara right
from Krita Yuga to Kaliyuga till the recent past. It may be noted that these
details are given in Sivanandanatha’s “Ruju Vimarsini Vyakhya” (The commentary
on “Nityasodasikaarnava”).

There are 26 vidyaa uddhara karmas and out of which 10th Vidya is Lopamudra
Vidya. Lopamudra was the better half of Sage Agastya and the chief guru of this
Haadi Krama in Kaliyuga. All the srividya upasakas in this yuga are considered
to be her children and hence she is adored as the “Mother”.

Mantra Uddhara

Akaasa Jiva Kamendraan – Bhuvaneshim Tathottaret …(1)
Akaasajiva Kamaabhra – Sakra Meesaanavallabham….. (2)
Jeevam Kamam tatha Sakram – Bhuvaneseem tathoccharet …(3)
Agastyopasit Lopa – Mudraayam Papaharini …. (4)
Samudra Soshini Devi - Mahapaapoughanasini….(5)

From the 1st sloka:
Akasah = Ha; Jeevah = Sa; Kamah = Ka; Indrah = La; Bhuvaneshim = Hrim
Are derived. These become
[Ha, Sa, Ka, La, Hrim]

From the 2nd Sloka:
Akasah = Ha; Jeevah= Sa; Kamah = Ka; Abhran = Ha; Sakrah = La;
Isaanavallabham = Hrim
Are derived.
These become: [Ha, Sa, Ka, Ha, La, Hrim]

From 3rd Sloka:
Jeevah = Sa; Kamah = Ka; Sakra La; Bhuvanesim = Hrim
Are derived.
These become : [Sa, Ka, La, Hrim]

4th sloka says that this is the Agastya Vidya or Lopamudra Vidya.

So, in a nutshell, this vidya is
[Ha, Sa, Ka, La, Hrim] [Ha, Sa, Ka, Ha, La, Hrim] [Sa, Ka, La, Hrim].

This is the noblest of vidyas which liberates the upasaka from the wheel of
Samsara. Why because, the sodasi upasana is hidden in this mantra.
If we omit the Bhuvaneswari Bija from these 3 kutas, the remaining part is:
[Ha, Sa, Ka, La], [Ha, Sa, Ka, Ha, La], [Sa, Ka, La] respectively in the 3
kutas.

Out of these 3 kutas, the common bijas are taken out which become:

[Ha, Sa, Ka, La].

Here, ‘Ha’ is the Akasa Bija which denotes the dahara (sukshma) akasa at
Sahasrara. This is of ‘Chit/Jnana’ Swarupa. ‘Sa’ is the Chandra Bija.
Ka, La bijas get combined to form ‘Kala’.

So these become, ‘Ha, Sa, Kala’ which is defined as “the Sodasa Kala or the
16th Kala which is the Chit Kala present at the Dahara Akasa or Chidakasa” This
Sodasi Kala / Dhruva Kala / Nitya Kala is the Upaasya Devata of this Haadi
Vidya.

Kalidasa Mahakavi in his work “Chidgagana Chandrika” also mentions this tatva
of ‘Ha-Sa-Kala”. Gagana is Akasa which is ‘Ha’ ; Chandrika is the Chandrakala
which ‘Sa-Kala’.

GURU PARAMPARA OF LOPAMUDRA VIDYA

When the ‘Prakasa’ swarupa of Sat-chit-ananda alongwith his own Sakti
“Vimarsa” does the samkalpa “May I become many” ie., “Bahusyaam Prajayeeya….”,
the first throb or spandana becomes “Charyanatha” who is non-different from Para
Siva. Charyanatha is the Adi-guru of this Haadi Tradition in Krita Yuga. This
vimarsa sakti is Mahakameswari. Charyanatha hands down this vidya to Kameswari.
At the Bindu sthana which is also called “Odyana Pita’ sports the Adi Guru
Charyanatha alongwith Kameswari. They are in the Saamarasya Bhava / 
Non-differential State with one another. This “saamarasya bhava’ of Charyanatha
and Kameswari is termed as “GURU PADUKA”. This ‘GURU PADUKA’ tatva has to be
meditated at sahasrara amidst the Trikona of 8th Avarana. Please note that the
Guru Padukas are not the wooden sandals which are physically worn by guru.

This Kameswari teaches this Vidya to Uddisnatha who is non-different from sage
Durvasa who is the guru in Treta Yuga. Uddisanatha is of Chit swarupa and
Sattva Guna pradhana. Uddisanatha presides left angle of the 8th avarana
trikona along with “Bhagamalini”. This is Sakti Kuta.

Uddisa Gayatri:
Odunathaya Vidmahe – Sri Durvasase Dhimahi
Tannah Kaulih Prachodayat

This Kameswari teaches this vidya to Sashtisha (non-different from
Subramanya). Sashtisa is of the Prana rupa controlling Ego – Ahamkara. 
Alongwith Vajreswari presides over Jalandhara Pita which is Right Angle of 8th
Avarana Trikona. He is rajo guna swarupa and guru in Dwapara Yuga. This is
Kamaraja Kuta.
Sashtisa Gayatri:
Sastanathaya Vidmahe – Sri Kumaraya Dhimahi
Tanno Lakshmi Prachodayat

Again, Kameswari teaches this vidya to Mitreshanatha (non-different from
Siva). Mitreshanatha along with Nitya Klinna presides over the angle facing us
at the 8th avarana trikona. Mitreshanatha rules Vaak Bhava Kuta and is one with
Pancha (5) Tanmaatras. He is the 1st guru in Kali Yuga.

Mitresha Gayatri:
Mitranathaya Vidmahe – Srikantaya Cha Dhimahi
Tannah Kubjih Prachodayat

In Kaliyuga, Mitreshanatha handed down this vidya to Lopamudra. Lopamudra
teaches this vidya to Agastya. Given below the guruparampara from Lopamudra and
Agastya till the recent guru.

Lopamudra
Agastya
Kankalatapasa
Dharmacharya
Muktakesini (One of the greatest Yoginis of Kaliyuga)
Dipakanathacharya (Srividya upasaka at the court of the king Bhoja and
commentator on Nityasodasikarnava)
Jishnudevacharya
Matruguptadeva
Tejodeva
Manojadeva
Kalyananatha
Paramanandanatha
Swatmanandanatha (also called Vasudeva)
Trilochananatha
Maarijanatha
Deveshanatha
Devanandanatha
Trilochananatha
Kesavanandanatha
Amrtanandanatha Yogi (Author of Chidvilasa and Saubhagya Sudhodaya)
Punyanandanatha Yati (author of Kamakalavilasa)
Natananandanatha
Vasudevanandanatha
Sivanandanatha (son of Pratishtanandanatha the author of Sambhunirnaya Dipika)
Mahaprakasanandanatha
Maheshananda Yogi (Author of Mahartha Manjari)

It is this 6th guru of the guru mandala Dipakanathacharya (Srividya upasaka at
the court of the king Bhoja and commentator on Nityasodasikarnava) whom
bhaskaraya adores as Dipakanathacharya is Setubandha (a commentary on
Nityashodasikarnava).

Thus ends the chapter “Guru Mandala” of Ruju Vimarshini Vyakhya of
Sivanandanatha – a commentary on Nityasodasikarnava.

Vande Guru Paramparam…


Notes By Sriram